Guys, this update is late. I'm sorry. You know. House. Life. Lifehouse. House.
What I'm trying to say is:
So we have
finally moved into our new house, which, man. Effort-tastic.
I am so pleased to no longer be
sharing a house (read: leave dirty
dishes all over the place/eat cereal in my underwear on the sofa). It’s all
more or less in place now, and we have a study, and the waffle-maker is out,
and there’s a piano and it all feels like home.
Though it was a massive struggle to get it that way. Naively we thought
that taking a week off to move in was more than enough time. We’ll just sort
everything out in a couple of days, we thought. Then we’ll go and chill out and
maybe even go on a minibreak. Stonehenge would be nice at this time of year.
Well.
Turns out
moving house is a MASSIVE ARSE. Even when things go perfectly, they take about
30% longer than your generous estimate allowed for, and when things go badly,
they really flipping mess things up. Our wardrobe, for example, I ordered the
wrong size of. Then they delivered the right size – but two of the panels were
broken. So then they had to do an exchange – but they exchanged it for the
wrong size one again. And then when I finally got the right ones, I kicked in
two of the supporting struts by accident. DAMN YOU IKEA. You and your flimsy
MDF. We had aimed to do the wardrobe before we even moved in properly – we
ended up finishing it around 9pm on the last Sunday evening of our week off.
Also, curtains.
Hanging curtains will make you want to hang yourself. True story.
I also made
some poor life choices, such as deciding that reupholstering chairs was an
essential thing to do during the house move. They are now wonderful. But in
retrospect, perhaps not as essential as I thought. Similarly, we built the
china cabinet before we built the dining room table, almost entirely for the
purpose of unpacking the Höglund art glass we got from Nelson for our wedding.
If you got me a contract, I’m sure I could churn out a book entitled Poor
Middle Class Life Choices based solely on that week’s experience.
Still, it’s
all up now and all the wedding presents are unpacked, and our stuff has
expanded to fill an entire 3 bedroomed house and part of the garage. WTF stuff?
It’s how I imagine the Big Bang to have been – nothingness, and then MATTER,
expanding ceaselessly. MATTER that includes an art easel my parents wanted to
get rid of, and a billiards table. MATTER.
We now also
have an impressive selection of hammers and power-tools, like the orthopods.
I’ve always kind of wanted to be an orthopod, and the electric screwdriver
really does bring home its appeal. I genuinely did want to be an orthopod, by the way. It was so logical. So clean. Kind of like ophthalmology, but big and full of bones. I had to let go of that dream in the end because when I was a medical student a male orthopaedic consultant offended me by offering some kind of massive screw device to my male medical student colleague to have a go at screwing some kind of joint (look, I would have been a great orthopaedic surgeon: this is highly technical language I'm using here) into place and I was like,"um, how come I don't get to have a go? Is it because I'm a girl so you think I can't do it?'
Consultant: (looks me up and down) "Be my guest."
I should probably have realised I'd over-egged my Yeah-Feminism pudding when I saw that my reasonably well-built male friend was completely unable to turn the screw but suffice to say that I did not, and I thoroughly humiliated myself by basically hanging from the device trying to turn it with my entire body weight and not being able to. Oh, how everyone laughed. And that was the end of Connie and orthopaedic surgery.
Eyes, on the other hand, much less strengthey, much more fiddly. No screws. I have now finally completed my first whole cataract
operation. Hurrah! And it only took me 50 minutes. Haha. As I (laboriously)
finished, I had a vivid flashback to Graham telling me and anyone else
compelled to listen (i.e. his patients) that he could “do a whole phaco in 7
minutes.” Oh, Graham.
For me, the
capsulorrhexis is the most terror inducing part of the operation. Basically you
have to make a 3mm diameter perfectly round circle in the anterior capsule of
the lens using a needle to make a straight line, and then lift up a flap in the
capsule, and then a pair of forceps to tear it into a perfect circle. If it
tears out or if the circle isn’t round or has a weak point then during the rest
of the operation, it can tear into the posterior capsule and you can drop the
lens into the back of the eye, and that is a massive disaster because you need
to call your vitreoretinal colleagues (who will come and sneer at you in a very
special way*) in to make 3 more holes in the back of the eye and fish the lens
out and it’s not very good for anyone, least of all the patient. What I particularly enjoy about this terror is
that it’s illustrated so cheerily on youtube, usually with jaunty music and
special drum beats to highlight the special bits where it really specially goes
wrong. Wonderful stuff.
*One of the
more navel-gazey fascinating aspects of specialization is realizing that
there are in-specialty stereotypes. Hours of sub-classification fun await you!
On the
subject of surgery, I’m also enjoying being with two different surgeons who
have different operating methods, often contradicting each other, so I have to
remember what they each prefer to avoid being told off in their different
theatres. Surgeon A is a cheery, bubbly,
short and plump, faff-hating, hands-on surgeon who says things like, “GIVE IT
SOME WELLY” and “I WANT TO HEAR SOME NOISE” and frequently takes my hand during
the operation when she considers things are going too slowly and pushes it
around, a frequent source of terror to myself (you may notice that many things
in surgery cause me terror: I leave theatre basically mentally and physically
exhausted after each session*.)
Surgeon B
on the other hand is a very tall and thin, extremely silent, even-tempered and
patient surgeon who is like the Farmer Hoggins of cataract surgeons. He
basically says nothing at any point, and would probably rather die than touch
my hand, let alone seize it and start waggling it about during surgery.
However, his silences are laden with meaning, and while he was out of theatre**
(letting his Fellow supervise me), she and I had a heart to heart.
Fellow: “I
feel like all his silences have such different qualities.”
Me:
“Sometimes I look up from the microscope and he’s just looking at me with his
eyebrows raised. I don’t know how long that’s been going on.”
Fellow:
“But he hasn’t said anything. So I can’t say anything.”
Me: “Once I
opened my mouth and he just said, “not yet”.”
Fellow: “Did
you ever manage to…?”
Me: “No.”
Fellow:
“Despite this I feel I know what he wants me to do all the time. His silences
are very expressive.”
Surgeons.
Fascinating species.
* I used to
think Graham was massively overstating it when he talked about how interested
he was in the way surgeons psychologically prepare for surgery and that it
would make a good book. Sounded like a boring book to me, and I didn’t prepare
for surgery except for rocking up in theatre with my scrubs on, looking lost.
I now
totally agree with him, except I’m not sure it would make a good book exactly.
It would make a very navel-gazey book that surgeons would all love to read,
perhaps in the same category as my Poor Middle Class Life Choices production.)
**Obviously
not while he was in theatre (see above for silences.) Theatre time is Quiet
time.